A Symphony of Perfect and Fleeting Time
A Symphony of Perfect and Fleeting Time
A Photograph by Sehin Tewabe
A neat, large trail of light puts two men in focus. They are dressed in similar clothes, and might have stood above the heap of stones at the same moment. Yet, now, each deals with private matters—one who bends to speak louder or hear better, the other standing with a pocketed hand, suave and relaxed. There’s the shadow of a head in the middle of the frame, facing the action. With this hint of an onlooker, the photograph records a scene larger than the two men, as though they are watched in the unfolding of life itself.
— Emmanuel Iduma
“The impact of photography depends on the intent and skill of the photographer, as well as the context in which the photograph is viewed.”
I took this photo in Bole, Addis Ababa Ethiopia in 2020 while commuting to my work place.
This photograph is one of my personal favorites. It stands out due to its exceptional composition, perfect timing, and the remarkable way lighting and shadows framed my subjects.
I think photography is a powerful medium that has the ability to capture moments in time and convey emotions, ideas, and stories. It allows us to see the world in a unique way and can be used to express creativity, document history, and share important messages.
The impact of photography can be seen in many different fields; it can also be a powerful tool for personal expression and self-discovery—at least for me since I consider myself as an introvert. Through photography, people can explore their own emotions, experiences, and perspectives, and share them with others in a way that is personal.
Ultimately, the impact of photography depends on the intent and skill of the photographer, as well as the context in which the photograph is viewed.
Whether it is used to inform, inspire, entertain, or challenge, photography has the power to shape our understanding of the world and ourselves.
— Sehin Tewabe
About Sehin Tewabe
Sehin Tewabe is a 25-year-old self-taught professional photographer based in Addis Ababa, Ethiopia. She says: “As an Ethiopian photographer, I am fortunate to be surrounded by a rich tapestry of culture, traditions, and landscapes that serve as endless sources of inspiration. From the vibrant markets to the serene countryside, I strive to capture the essence of my homeland through my lens, showcasing the beauty that lies within its people, places, and customs.” Find out more on her website and Instagram. Also see this feature on Blind Magazine and on Adobe Create for more on her work.
Last Week — “Repairing Nets in Solitude” by Charles Lawson
I made this image in Kpando-Torkor, a small, quaint fishing village in the Volta Region. I had ventured into the village on a warm Sunday afternoon, during a trip to Kpando where my mother grew up, and was struck by this scene: fishermen taking a day off, in an easy, purposeful routine of repairing their nets, under the billowing arches of the abala, the rudimentary fabric canopies under which they find shade and community.
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This is the 74th edition of this publication, which also read on web (best for viewing images), and via the Substack iOS/Android apps.
Every Wednesday I feature one photograph and the photographer who took it: you’d read a short caption from me, and a statement from the photographer. Every Saturday, between June 3–July 29, I’m writing a series of micro-essays in response to sequences of photographs previously featured on the newsletter. My hope is to engage with early to mid-career African photographers, and to create a platform in which photographers lead the cataloguing and criticism of their work.
Photographers can now submit their work for consideration.
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