This is the 156th edition of Tender Photo, a digital platform of African photography.
It is easy to note that the man whose hands are not held together in a steadying grasp—and whose smiling expression is directed elsewhere—is also attired differently, with the distinctive addition of a waistcoat. It takes some effort to see that the tallest men in the group stand beside each other, and to notice the careful composition by which the woman stands in front of a pillar positioned midpoint across the frame. The mood, though genial, is hardly relaxed—save for the woman and the man, by whose ease intimacy is assumed.
— Emmanuel Iduma
“Today I pose the question, where is our dear Sudan?”
I find myself learning to share and write about this photograph.
It shows the dear ones who explained to me what it means to be dear: Uncle, Auntie, Father. Today I pose the questions, where is our dear Sudan? Our bright ambitions? And that unfathomable peaceful revolution?
A few months before the war started, during the time I made this photograph, I was also engaging in several discussions about the path of the peaceful revolution 5 years after it happened, discussions between different generations about signs of a violent counter-revolution that so far has caused the world’s largest humanitarian crisis of our time.
I look around from my exile and the news I run into is always saying civil war, famine. And then once again, there is the question, were we always civilians at war with each other? And who is it that has this keen denial that we as the people of Sudan do not deserve freedom, peace, and justice?
— Saad Eltinay
About Saad Eltinay
Saad Eltinay is a Sudanese photographer based in Khartoum. He graduated as a software engineer in 2018 and has explored his passion for visual arts and photography since 2012. His work on the Sudanese revolution has been shown in several local and international exhibitions and publications. More of his work can be found on his website and on Through the Lens Collective.
RELATED — “Friends” by Amina Kadous
On a slow Friday morning in the Almeghrabeleen neighborhood behind Al Khayameya (Old Cairo district), a group of friends sit beside each other while the Friday prayer calls. As I pass by, taking photographs of the chickens and the chaotic beauty of the neighborhood, one of them calls out, “Aren't we better looking than the chickens! Give us one good picture together!”
LAST WEEK — “WeirDo in Wadi Degla” by Laure d'Utruy
This photograph was taken in Wadi Degla, a valley near Cairo, Egypt. That day, WeirDo chose the desert as a metaphor for the inaccessibility of the society around him. “I hate to see people climbing, as I'll never be able to do it,” he said, watching the silhouettes in the distance. Despite his determination, WeirDo faces significant discrimination in public spaces and deep-seated stigmas surrounding his condition. Yet, even in the face of marginalization, he remains a fierce voice for disability rights, inclusivity, and the representation of minorities in Egypt.
The 2025 Tender Photo Editorial Fellows has been announced! Congratulations to Adéwùnmí Adébáyọ̀, Haja Fanta, Max Diallo Jakobsen, Michelle Angwenyi, and Tony Agbapuonwu.
TENDER PHOTO is a digital platform of African photography, founded by Emmanuel Iduma. Our newsletter aims to engage with life on the African continent through photography. We publish narratives about the people, places, and events pictured in photographs, contributing to nuanced and layered perceptions. The newsletter also read on web (best for viewing images), and via the Substack iOS/Android apps.
Every Wednesday we feature a photograph, a short caption about it, and a statement from the photographer. In the past, we have published commentaries or photo-essays in response to photographs previously featured on the newsletter, including CORRESPONDENCES, CONCORDANCE, KINDRED, INDEX, and AFFINITIES.
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