The Dancer
A Photograph by Ahmed Qabel
He is distinguished by how he has levelled himself, how by resting his neck and legs on equidistant poles he seeks to be acknowledged as unordinary. At least four of those who recognize his daring also hold onto poles, casting either amused or indifferent glances at him. One man with a relaxed expression turns away. The central man’s poise indicates he has given this some thought—to raise himself above others with a measure of dexterity that would assure his viewers of safety as well as guarantee their attention. The photograph, which shows the bulk of his frame, equally confirms that he covers more than half the aisle, and is therefore a distraction. Yet, to showcase a skill in public is to claim a spot in that hairline of space between revulsion and compulsion.
— Emmanuel Iduma
“Photography is an unconditional language of empathy.”
The photograph was taken in Egypt using a Google Pixel 4a.
This photograph offers a different perspective on the stereotype associated with bodies of work that address social issues. My concept of the train is that it represents a small temporary world, and in the real world there is fun and sadness. I want to be fair to the people I photographed and allow the spectators to see the truth of the train from the sad or fun aspect of things.
What I see in this photograph is an alternative form of resistance through dancing or laughing, showcasing the freedom to express joy and handle life's challenges. Lastly, I aim to show the relationships of the passengers, many of whom don't know each other.
My approach to photography is to serve as a witness to the time I live in. I see it as my responsibility to document and share the stories of my community, preserving their voices for future generations. Through my lens, I aim to capture and convey the visual history of my people from an Egyptian perspective.
I believe that photography is a profoundly powerful and universally connected language. Everyone can see and understand a photograph, regardless of their background. Photographs speak the language of emotions, often more effectively than words. Photography is an unconditional language of empathy, bridging gaps and connecting people through shared human experiences.
— Ahmed Qabel
About Ahmed Qabel
Ahmed Qabel is a 25-year-old photographer and visual storyteller from Egypt. He graduated with a bachelor’s degree in accounting and business from Al-Azhar University in Cairo in 2022. In 2021/2022, he received an AFAC grant (the Arab Documentary Photography Program). Recently, in 2023, he was selected as one of the top five participants in the Canon Student Development Program. More of his work on his website, and on Instagram.
LAST WEEK — “Ama-Fishing” by Coenraad H. Torlage
I took this photograph after I met a few youngsters who were on their way to fish at a nearby dam. During the short journey via an old railway track, we met another group of boys. These strangers decided to embark on the fishing quest together. They did not know each other, they did not speak the same languages, they came from different cultures, but they were united through their shared desire to engage in friendly play.
Tender Photo at Process Projected, Amsterdam
July 23–September 2
In collaboration with the photographer and curator Wesley Verhoeve, I’m pleased to share news of a digital exhibition of works by 5 photographers previously featured on the newsletter: Fibi Afloe (Ghana), Abdul Hamid Kanu Jr. (Sierra Leone), Thero Makepe (Botswana), Aina Zo Rabarento (Madagascar), and Lidudumalingani (South Africa).
The exhibition can be experienced in two unique settings: during the day, the artwork is displayed on high-resolution QLED monitors, and as evening descends, the images are visible from the street in the windows of the What Is Happening Here gallery. Passersby on the sidewalk outside the gallery can view these captivating visuals throughout the evening and night.
A special feature on each photographer’s series will be published on Fridays throughout August.
This is the 124th edition of this publication. The newsletter also read on web (best for viewing images), and via the Substack iOS/Android apps.
TENDER PHOTO is a collaborative digital archive and publishing platform of contemporary African photography. Every Wednesday we feature a photograph, a short caption about it, and a statement from the photographer. Last year, we published commentaries or photo-essays in response to photographs previously featured on the newsletter, including CORRESPONDENCES, CONCORDANCE, KINDRED, INDEX, and AFFINITIES. The next Friday series will begin in August.
Our aim is to use photography to engage with life on the African continent in all its diversity. We publish narratives about the people, places, and events pictured in photographs, contributing to nuanced and layered perceptions of the continent.
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