This is the 163rd edition of Tender Photo, a digital platform of African photography.
A man is pictured surrounded by clusters of banana trees with broad leaves. The landscape features numerous plant beds protected by white and blue mesh nets arranged in neat rows. Behind him, the most prominent banana tree frames his figure against the lush greenery and its leaves appear to sway in quiet deference. His face is animated with a subtle smile and he looks at the camera with a resolute expression. His stance is firm, and his arms rest at his sides. The sun traces the contours of his figure, projecting a shadow of his head onto his light beige t-shirt while the outline of his hands are imprinted on his trousers. Behind him is a dense farm land with well-laid beds of plants awaiting harvest.
— Tony Agbapuonwu
“I believe impactful photography goes beyond aesthetics; it carries meaning, challenges perspectives, and preserves history.”
The photographs were taken in Ibadan, Oyo state, Nigeria during an art residency program where I revisited the concept of Rust and Gold in Ibadan from an agricultural perspective. My project highlights the decline of agriculture in Oyo state, with a major challenge being the lack of youth interest. Many young people are shifting away from farming in favour of white-collar jobs, contributing to the sector’s gradual decline.
The photographs visually interpret my thoughts on agriculture’s decline and the shifting narratives. The image showcases a young person actively engaged in farming, challenging the norm and redefining success beyond white-collar jobs.
Photography is a powerful tool for storytelling and social change, capturing moments that show emotion and spark conversation. My approach is rooted in observation and connection, understanding the people, environment, and context before pressing the shutter. I believe impactful photography goes beyond aesthetics; it carries meaning, challenges perspectives, and preserves history. Whether documenting culture, environmental issues, or daily life, photography serves as both an archive and a catalyst for awareness and action.
— Adefolarin Adegboye
About Adefolarin Adegboye
Adefolarin Adegboye is a freelance photojournalist based in Nigeria, capturing compelling narratives that highlight culture, society, and sustainability. A member of the Africa Photojournalism Database and Diversify Photo, his work spans documentary projects like “Cultural Kaleidoscope” and stories on environmental and social issues. With a background in agricultural research, he also explores themes of ecology and land use. His photography blends visual storytelling with investigative depth, shedding light on overlooked perspectives. See more of his work on Instagram.
RELATED — “An Ode to Women in Rural Ethiopia” by Hilina Abebe
In this image Koite shoos away birds from her Sorghum field in Derashe, Southern Ethiopia. I met her in 2014 on an assignment focusing on access to clean drinking water. At 25 she was already a mother of three and fully managed her household and the farm. She graciously spent her afternoon with me discussing her daily chores, which involved collecting water from the river more than an hour away. She then showed me her sorghum field and climbed a tree to demonstrate how she kept the birds away.
LAST WEEK — “Pulses of Lake Victoria” by Neema Ngelime
The photo was taken at Entebbe-Lake Victoria. I was having lunch with friends, enjoying some of the best potatoes I've ever had. The beach had this uniquely beautiful vibe—Marabou storks by the shore were scaring some people while others remained in awe. I grew up by the Indian Ocean, and the birdlife there hardly compares in size. I thought the mix of everything going on was beautiful, and I see my photos as a dialogue with my future self. I didn't have time to compose a shot with my DSLR, so I just used my phone. It's a lovely surprise to be reminded of that time when I was super curious about the world and used to document everything. Now, I tend to overthink every photo I take.
TENDER PHOTO is a digital platform of African photography, founded by Emmanuel Iduma. This edition is edited by Tony Agbapuonwu, one of our editorial fellows. Our newsletter aims to engage with life on the African continent through photography. We publish narratives about the people, places, and events pictured in photographs, contributing to nuanced and layered perceptions. The newsletter also read on web (best for viewing images), and via the Substack iOS/Android apps.
Every Wednesday we feature a photograph, a short caption about it, and a statement from the photographer. In the past, we have published commentaries or photo-essays in response to photographs previously featured on the newsletter, including CORRESPONDENCES, CONCORDANCE, KINDRED, INDEX, and AFFINITIES.
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